Projects from ARC5935 - Seminar in situ: Miami Beach, a course offered by Florida International University's
School of Architecture and taught by David Rifkind at the College of Architecture + The Arts'
new Miami Beach Urban Studios on Lincoln Road.

Monday, March 5, 2012

Metropole/Colony Exhibition - Diego Diez de Medina


The pieces exhibited at metropole/colony: Africa and Italy portrays the citizens of Italy as fully devoted and involved with the fascist government. The exhibit shows the sacrifices and the persuasive methods that the people are exposed to during the time of the fascist regime. By sacrificing their personal possessions and even their children to the government, the people showed their loyalty to Mussolini.



Citizens during that time respond to threats and punishment if they choose a different path. While adults may no longer believe and want to be a part of the fascist government, the punishment for having other beliefs were harsh, therefore people lived in fear of the government, in fear of expressing other values. These methods of persuasion lead people to sacrifice even their most valuable possessions, from a meaningful object like their gold rings to their children.

It is of no surprise that children can be greatly influenced and "brainwashed" to support and be a part of anything while at a very tender age. This is where the Italian government took advantage of a child's nurturing and taught that the fascist movement was the better future for Italy. it taught that fascism was a better way of life and that it is a natural way of living. It taught that for a man, violence and war was just as natural as giving birth. Starting at the age of 8 children in Italy were enrolled in what was called the Balilla, a pre military service which introduced children into the fascist beliefs. This example is shown in the painting "Agro Pontino Redento," where the artist shows the workers sacrificing themselves, working for the benefit of the government while the child in the Balilla uniform symbolizes the sacrifice and participation of the children in the fascist movement. Not targeting a child's mind, but targeting their imagination and fantasy, the government took them on "radio voyages" through the empire with their broadcasts, and told them about the great future ahead. These are the fascist of the future.


The depiction of children in a painting or a poster in the fascist propaganda became effective in the sense that children were being used as bate in order to influence others towards fascism. The children  being forced to participate in the balilla and other government organizations to become the fascist of the future, and at the same time they become the propaganda for the fascist government.

1 comment:

dannythemanny said...

The perspective you took on the exhibit and the situation presented is interesting. I find the painting you posted particularly valid for making your point. It is as if the adults are lost and worth nothing more than for labor, and as a support system for the fascists of tomorrow. The adults work to give their children and idealized better future. Also there is a sense that the child in a way is overseeing the adults work, as if he is aware that they are working for him.