Projects from ARC5935 - Seminar in situ: Miami Beach, a course offered by Florida International University's
School of Architecture and taught by David Rifkind at the College of Architecture + The Arts'
new Miami Beach Urban Studios on Lincoln Road.

Sunday, February 12, 2012

SoundScape Analysis, Jorge Bonsenor


    Tommy (1975) at the Miami Beach SoundScape
 
People gathering on the lawn for the movie




On a calm Wednesday night, people start to gather on the lawn of the Miami Beach SoundScape in front of the New World Symphony Theater. The 1975 musical Tommy will be playing for free for anyone who wishes to see it.  Many people bring lawn chairs and others only require a blanket or a beach towel to lie on. 


 A couple walks to over to the ledge to sit

The prime seats are right in front of the eighty foot tall wall the movie will be projected on. While some choose to sit further back behind a curvy concrete ledge for seating at the beginning of a raised patch of lawn near the projector. The more timid, find space far off to the left of the wall in the dark jungle of speaker columns and palm trees away from the clearing. Their views are partially blocked but they don’t seem to mind. 
 
By day the SoundScape is a nice place to take a stroll on the narrow concrete trails amongst the thin palms that dot the park. The organic shapes of the paths and patches of grass between them provide a pleasant contrast to the orthogonal shapes of the façade of the New World Symphony. All the while the paths still speak to the sculptural forms that linger inside. These patterns although two dimensional add another dimension when walked on as small hills push and pull the patterns giving spatial definition between spaces in the park. Just these small changes in elevation are enough to create small personal spaces while still creating a visual continuity with the rest of the park. 
The south end of the park facing the SoundScape area


Notice the bright spaces are empty compared to the dim spaces
 At night these spaces melt away. All the focus is on the two leveled outdoor theater space. The shady hills are empty and flat. The spaces towards the front of the wall are well lit and interestingly enough the brighter areas are the last to get filled. As people look for more secluded parts of the lawn they find the dim sides more comforting than the bright middle even though these are the best places to sit for the least distorted view of the projection. It doesn’t matter what a person brings to sit down, they can lay on their back or find a soft pillowy friend to rest their head on as the movie is projected 10 feet above the crowd therefore limiting the possibility of someone blocking their view. While the movie is playing curious passers-by would often stand far off the side to catch a glimpse of the action and a few would become so enthralled they stick around and find a comfortable palm trunk to lean on or a secluded bench to sit. 
View from outside the cleared area

The SoundScape in front of the New World Symphony is a truly dynamic area which provides the public with a rare opportunity to gather and enjoy a free urban space. This park does this exceptionally well with entertaining movies and events projected on to the wall of the theater and engaging the public with a unique park that connects sculpture with nature in a tropical urban environment.

2 comments:

David said...

There are some good observations here (especially the point about the formal relationship between the pathways and the elements inside the building atrium), but you still need to analyze the park and the experience of the wallcast. For example, consider how the combination of the light reflected off the wall and the perimeter defined by the speaker system create a volume comparable in scale to the interior spaces.

Gray Read said...

Some interesting observations. Now show how the design creates those conditions. Show in drawings how the elements create bright, open places and dark, intimate ones. Show the dimensions and relationships that make the place.